When I was studying in London, a visitor arriving at Trinity College of Music would be taken on a tour of the music practice rooms. From the small cubicles you could hear strains of a variety of instruments, from organ, to cello, to voice, performing on a variety of musical genres, from opera, to classical to choral music. To a few it was an assault on the senses, but for most it was an insight into the creative life of an eclectic bunch of aspiring professional musicians.
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